Posts Tagged ‘boris karloff


Where’d HE come from? The Frankenstein monster

A lone castle, isolated from the town below. A wild-eyed scientist has pieced together parts from various “donors” in order to create a human being. Lightning flashes in the sky and strikes a lightning rod, kicking the machinery below into action. When everything is said and done, a lone finger rises from the compiled body. It’s alive! But, how did we get here?


Grave robbing was good pay in the late 1700’s/early 1800’s. Doctors and scientists were just beginning to study anatomy and would pay for a corpse to dissect. Nefarious individuals would go into cemeteries at night and dig someone up, then meet for the dropoff and payout. Money is money, right?


It was in the cold summer of 1816 that Mary Wollstonecraft Goodwin and her then boyfriend Percy Shelley went to visit Lord Byron. As the day was dreary, they stayed indoors and waited for the next day. Conversation turned to experiments on Erasmus Darwin, who claimed to have animated dead matter. After reading some German ghost stories and having been tasked to come up with a supernatural story, Mary had a dream. That dream would eventually be realized as a novel called, “Frankenstein; Or, the Modern Prometheus.”


The “Frankenstein” story was about Victor Frankenstein, a scientist who became inspired by modern studies and combining them with older alchemic studies, proceeds to bring inanimate objects to life. Once he does bring it to life, however, he is horrified by what he created and runs out of the room, fleeing from the creature. Within a year’s time he recovers, but finds that his youngest brother is murdered. Is it the work of the creature? On a hike in the Geneva Mountains the creature finds Victor and tells him a story about helping out a family that turned on him, and that all he wants is a companion. Victor goes to create such a companion, and then destroys it. The creature retaliates by killing Victor’s best friend and wife. Victor is then in hot pursuit of the creature, following him to the Arctic. Victor finally dies from ill health and the creature is disheartened, leaving on an ice raft.


Mary Goodwin/Shelley wrote “Frankenstein” in respect to Gothic novels and the Romantic Movement, and as a response to the Industrial Revolution of the time. Victor Frankenstein had more of wonderment with science, and the creature became a rejected child that emotionally and mentally grew up with loneliness. She was speaking out about how times were changing, and how man mentally reacted to the change. There’s also something to be said that the creature is the “Frankenstein monster,” seeing as Frankenstein never named it, rejecting his creation in horror.


While critically panned, the book became hugely popular. Theatre producers loved the concept of a scientist “piecing together” and animating a man, but weren’t too keen on the “psychological implication” aspect. Victor slowly became more and more crazy, and the monster began losing any human qualities he had. These changes to the story led to another “creation”: the mad scientist genre. The fine line between genius and insanity depended upon what the mad scientist was trying to do which usually involved mutating humans, body-swapping, etc.


Back to “Frankenstein.” Thomas Edison created the first “Frankenstein” movie in 1910. A few other silent “Frankensteins” were also created until 1931, when Universal released what has became the most widely known and recognized Frankenstein movie to date. Starring Boris Karloff as the monster, “Frankenstein” was about Dr. Henry Frankenstein (Colin Clive), a scientist who is busy at work in his lab with his loyal hunchback, Fritz (Dwight Frye). When his fiancée convinces his old med school prof Dr. Waldman (Edward Van Sloan) to speak with him, they find he manufactures a creature (Karloff). The creature comes to life. Waldman tries destroying it, but the creature kills him. The villagers start a manhunt and chase the monster to a windmill. They set the windmill on fire, the creature burns, and Frankenstein is saved. Of note, the movie was based more on Peggy Webling’s 1920 play than the book.


“Frankenstein” joins “Dracula” in the sequel factor. “The Bride of Frankenstein” came next in 1935, seizing on the “Frankenstein” name and attributing it to the monster more so than the scientist. Following that, “Son of Frankenstein,” and “Ghost of Frankenstein.” The Frankenstein monster was the influence for Herman Munster on the TV show, “The Munsters.” And the original “Frankenstein” movie was spoofed by Mel Brooks in the film, “Young Frankenstein.” Trivia note: Brooks was able to use the exact same props and set pieces from the original movie.


Where’d HE come from? The Mummy

Your life as a Pharaoh in ancient Egypt came to an end, so you were embalmed and mummified. Foregoing the description of most of the process (which includes removing your organs and placing them into separate jars) you’re on the journey to the afterlife. Unfortunately, someone decides that all the gold and valuables in your pyramid are worth something, and begins robbing you of them. It’s time for revenge, but make sure you don’t become unraveled. But, how did we get here?


Pharaohs had pyramids built, making chambers to protect their mummified bodies as well as their possessions (I guess you CAN take it all with you). In order to ensure that they weren’t disturbed the pyramid would contain fake chambers, booby traps, and curses.


Mummification has been around since at least 3300 BC. The process entailed some of what I said above with the removal of the body’s organs and placing into canopic jars. Embalmers would also break the bone behind the nose, suck out the brain matter, and fill the head with plant resin or sawdust. Next the body was covered with natron, which dehydrates the body faster than desert sand. Strips of white linen are then wrapped around the body followed by a sheet of canvas. Amulets, charms, and whatnot were then placed around the body for good fortune (or Ka).


Our interest in mummies began in 1799. A French guy named Napoleon decided to invade Egypt. While he was there several French scholars and scientists, many of whom were probably seeing the pyramids for the first time, started digging around. Their findings became sensational.



Fast forward to America in the 1820’s. Culture has found interest in the pyramids and mummies. With the first mummy being unwrapped at a theatre in Piccadilly, coupled with Mary Shelley’s “Frankenstein,” Jane C. Loudon released “The Mummy!: Or a Tale of the Twenty-Second Century,” a tale of a character named Cheops who comes back from the dead and gives advice on politics and life. “The Mummy!” was sold in three volumes (easier to transport) and was praised for its futuristic concepts.


From that point, other writers jumped onto the “mummy train.” William Bayle Bernard, a London playwright and drama critic, produced his play “The Mummy” in 1933. Edgar Allan Poe was influenced and “Some Words with a Mummy,” posthumously in 1850.


The fascination with mummies, pharaohs, and Egypt in general began to fade and “The Mummy” returned to rest. In 1922 Howard Carter unearthed the tomb of King Tutankhamun. Egypt and mummies were cool again and Hollywood had a new creature to exploit.




It was 10 years later that Universal released, “The Mummy.” Boris Karloff starred as Imhotep, an ancient Egyptian priest who, after being awoken, seeks to find the reincarnation of his soulmate, Princess Ankh-es-en-amon. The film was somewhat remade in 1940 as “The Mummy’s Hand.” It had sequels such as “The Mummy’s Tomb,” “The Mummy’s Ghost,” and “The Mummy’s Curse,” all starring Lon Chaney, Jr. as the Mummy. Even Abbott and Costello ran into them.


Hammer Films, an English horror-film producing film company, made a bunch of Mummy films in the 1950’s. The company was known for taking a character’s image and running with an idea. Their sequels only pertained to the image of the character, not the character’s previous movie. Hammer released “Curse of the Mummy’s Tomb,” “The Mummy’s Shroud,” and “The Mummy’s Tomb.”


With the success of “Tomb Raider,” Universal decided to remake “The Mummy,” Starring Brendan Fraser, Rachel Weisz, and Arnold Vosloo as Imhotep. A fun, comedic, action-adventure romp, “The Mummy” was the middle ground between films such as “Army of Darkness” and the “Indiana Jones” trilogy. This “Mummy” raked in the box office and led to such sequels as “The Mummy Returns” and “The Mummy 3: Tomb of the Dragon Emperor.” It also had a spin-off character in “The Scorpion King,” which had two movies (the latter straight-to-DVD).