Posts Tagged ‘peter berg

01
Jan
09

Movies on DVD Review: Hancock

hancock

 

A superhero mess of a movie.

Starring Will Smith, Justin Bateman, and Charlize Theron. Directed by Peter Berg.

I’m glad I didn’t shell out money on this one.

Story: $mith is Hancock, an alcoholic, washed-up amnesia-victimized superhero living in L.A. who causes more harm and damage than good. When he saves the life of PR professional Ray Embrey (Bateman), Embrey decides to return the favor by representing Hancock. Hancock begins to clean up his act, starting with voluntary jail time. When crime rises 40%, the city calls Hancock back into action. After, he finds out a secret from Ray’s wife Mary (Theron) that threatens the Embreys as well as himself.

The movie can be divided into three parts, as I will demonstrate:

Part One: Everything you saw in the trailer. Everything. If you saw it in the trailer or on a TV spot, it’s within the first third of the movie. $mith is a drunken superhero. $mith saves lives but at a giant cost. $mith saves Bateman. Theron stares at $mith weirdly.

Part Two: Hancock tries redeeming himself. This was the best part of the movie in my opinion. $mith tries being nicer. He goes to jail. He’s released and saves the day with minimal injuries. Everything is going well until…

Part Three: The ‘plot twist.’ In a way that only M. Night Shamma-lamma-ding-dong can appreciate, $mith finds that he’s over 3,000 years old and was married to Theron, who is also a superhero. They have a gigantic fight that goes from the mountains to the middle of L.A. Meanwhile, a group of cons escape prison. $mith ends up in the hospital Theron tells him that as long as they’re near each other, their powers diminish. The convicts find them and war breaks out in the hospital. Theron is shot and nears death, $mith stops the convicts and flies away. Eventually, everything gets better.

The biggest problem with this movie, aside from the structure, are the leaps in logic (what is commonly referred to as “suspension of disbelief”). In the Information Age, why couldn’t he find out who he was by going to the library? Wouldn’t there be public records, newspaper articles, something to remind him of who he was? Secondly, if Theron and $mith become mortal by being around one another, why did Theron leave only to “pretend” to be mortal around Ray and his kid?

But maybe the biggest crime is having a superhero movie without an arch-nemesis. Three convicts escape prison to go and kick Hancock while he’s down? What kind of bull is that? Yeah, I saw “Superman 2” and while Superman gave up his powers and was mortal he did it with conviction and he paid for the consequences; it was a choice he made, not a “by the way, check this out” convenient plot point. Wait a moment… “Superman 2” had three escaped convicts who took on the Man of Steel while he was mortal. Thieves! You screenwriting THIEVES!

And yes, the “plot twist” is an interesting concept, but in the movie it felt extremely B.S.

Sadly, $mith is working on the sequel to this.

My grade: C-

26
Nov
08

Remake Radar: Dune

dune

 

 

“Father! The sleeper has awoken!”

 

Welcome to the November edition of Remake Radar, where we tackle Hollywood’s penchant for remaking previous films (for better or worse). This edition’s remake: Dune.

 

“Dune” (1984)

 

Stars: Kyle Maclachlan, Virginia Madsen, Sean Young, Jose Ferrer, Francesca Annis, Brad Dourif, Linda Hunt, Jurgen Prochnow, and Sting.

 

Director: David Lynch

 

Story: Duke Ledo (Prochnow) is sent to the desert planet Dune, where something called the “Spice” is harvested. Ledo is killed and his wife Lady Jessica (Annis) and son Paul (Maclachlan) are lost in the desert, only to meet up with the Fremen. The Fremen have the idea that Paul is their Messiah. Paul learns the ways of the Fremen, teaches them the ways of the Atreides, and in becoming Muad’Dib takes on Emperor Shaddam IV.

 

What do we know now? Director Peter Berg, known for such films as “Very Bad Things,” “The Rundown,” “The Kingdom,” and “Hancock” is set to direct. Joshua Zetumer will be writing the script.